timBoucher » Learn Remote Viewing. Free Course.

I guess what I was saying about “downloading money” has to do with being able to create value out of thin air. A metaphor. Like the manna that appeared each morning to feed those crossing the desert. Like the replicator in Star Trek.

What do you do when all your material needs are basically met? What would you do if they suddenly were not met? I guess that’s why I’ve been fantasizing about this great road voyage so much. And I recognize it for what it is, one of many in a chain of mental-emotional theatrical pretenses I drive myself through internally. Working in an actual theatre now, it’s becoming easier to see those active imaginings, to guide them and to use them. It’s like lucid dreaming while being fully able to perceive and act within a given space in an aesthetically pleasing manner. And now for my next trick:

Yet, the way we use computers hasn’t changed appreciably since the 1980s: we still click around a screen with a mouse or track pad.

The makers of g-speak know that this sort of control doesn’t take advantage of how the human brain works. According to Underkoffler, the brain regions that controls muscles, muscle memory, and proprioception (the sense of where your body is in space) and the visual system evolved to work together to deal with spatial situations. “That’s why we’re all such experts at getting around and manipulating the real world,” he says. “So it seems clear to us that computers should work the same way.”

It’s interesting to me, most of all, that oblong’s g-speak is described not as an operating system at all, but a “spatial operating environment.” It’s all very #mandalaOS if you ask me. I was using the term “buildspeak” too, but mine more specifically was in reference to using vibrational sound patterns (words, programs, like magic spells, arcane utterings before the dark moon) created by the human voice to control perceivable reality within a mediated sensorial environment.

They also talk in that article about the actual use of these expressionist interfaces resembles the direction of a symphony or an orchestra. So then, it comes as no surprise that this thinware computing concept was partly spawned by a theatrical need: tech theatre people solve problems you’ve never thought of on a daily basis. They’re used to making the unreal a solid enough illusion to last for a few moments within an audience’s perception. Flickering images on a screen. They made it look good as a performance piece first, and then built how the system would operate based on the logical outgrowths of that. There is a lesson in that: imagine your perfect option in its greatest, finest detail. Research it and prepare for it. “The things need only themselves. Get yourself ready, go!”

Perhaps this is the way forward that I’m seeing starting to emerge amongst the fringe-renaissance. Aesthetically beautiful solutions to situations and opportunities. A techno-zen realism where imagination descends into reality with a word, an action. Welcome to the microcracy, rule by the tiniest gesture, slant of the eyebrow, inflection of the voice. The aikido Photoshop interface, where you use sacred geometry with graphic design to perfect the functioning of your physical body and your spiritual well-being. Fully-integrated perceptual operations training you to optimize your flow-states. Order now and get magic springwater for free!